Who Won Big This Year
The night belonged to a handful of shows that proved style and craft can win as many trophies as script and acting.
The Studio led the entire pack with nine wins across multiple categories, cementing it as the year’s production powerhouse.
The Penguin, HBO’s dark Batman spinoff, wasn’t far behind with eight wins, including hairstyling, costumes, prosthetic makeup, visual effects, and sound. Colin Farrell’s unrecognizable Oswald Cobblepot isn’t just an outstanding performance; it’s an army of makeup artists and designers finally getting their gold.
Severance won six awards, proving that creepy corporate design is indeed Emmy-worthy. From eerie production to unsettling soundscapes, the Apple TV+ series reminded us that the office can be the scariest place of all.
Andor earned four trophies, especially for its detailed world-building and design work. Say what you want about Star Wars fatigue, this show’s craftsmanship is undeniable.
And then there were the performances.
Bryan Cranston won Guest Actor in a Comedy Series for The Studio.
Julianne Nicholson picked up Guest Actress in a Comedy Series for her fierce turn in Hacks.
Shawn Hatosy won Guest Actor in a Drama Series for The Pitt.
Merritt Wever scored Guest Actress in a Drama Series for Severance, her haunting appearance leaving as strong an impression as the show’s finale.
And in the most heartwarming moment of the night: Julie Andrews finally won her Emmy for voicing Lady Whistledown in Bridgerton. Mary Poppins and Maria von Trapp now have their television crown, completing their legendary awards shelf.
Why These Wins Matter
It’s tempting to brush off the Creative Arts Emmys as “technical categories,” but that undersells them. These awards are about the craftspeople who make the impossible possible.
When The Penguin wins for prosthetic makeup, it’s not trivia. It’s recognition for the team who erased Colin Farrell’s movie-star face and gave us a crime boss so real you’d cross the street to avoid him.
When Severance wins for production design, it honors the sterile, ominous Lumon offices that feel as alive as any character.
When Arcane takes Outstanding Animated Program, it’s proof that animated storytelling can be every bit as sophisticated and affecting as live-action drama.
These aren’t side notes. They’re the foundation. You can’t have a prestigious performance without someone designing the world around it, stitching the costumes, or crafting the soundtrack to hit you in the gut at just the right moment.
The Geeky Side Always Wins Here
Another reason the Creative Arts Emmys matter: they’re where the geekier shows thrive.
At the Primetime ceremony, the winners are usually prestige heavyweights like Succession, The Crown, or The Bear. But at the Creative Arts Emmys? It’s Gotham, galaxies far, far away, and creepy corporate nightmares taking center stage.
This year was no different. The Penguin, Andor, and Severance. These are shows that push boundaries in design, effects, and world-building. They may not always clean up at the “main” Emmys, but here they dominate, because genre television is where craft innovation happens.
It’s easy to sneer at superhero spinoffs or sci-fi sagas. Still, the Creative Arts awards prove it: it takes just as much artistry to build Gotham’s underworld or Andor’s rebellion as it does to recreate Buckingham Palace.
Final Thoughts
So, yes, tune in for the Primetime Emmys to watch emotional speeches and catch the red-carpet fashion. But if you really want to know who’s shaping the golden age of television, the Creative Arts Emmys are where you’ll find them.
Because the truth is, without the designers, the stylists, the editors, and the sound magicians, even the most prestige drama would just be actors standing in a blank room, wondering why nobody remembered to turn on the lights.
